Hee Haw (1969-1993) was one of several series inspired by Rowan & Martin’s Laugh In. Hosted by country singers Buck Owens and Roy Clark, Hee Haw is filled with simple cornball style humor, which I find very enjoyable.

I grew up on Hee Haw. In fact, that was what first got me interested in country music. Well, that and Dolly Parton movies from the early 80s. I know what you’re thinking. You think I just liked to look at Dolly Parton. Yes, she is pretty, but I liked her music as well as her classic films like 9 to 5, Rhinestone, and Best Little Whorehouse in Texas. (I was so young at the time I thought it was pronounced “Best Little Warehouse in Texas”.)

Anyway, Hee Haw has one-liners used in several different ways. Some of the main ones are in the “Cornfield” segment where random characters pop up and tell jokes to one another, and “Picking and Grinning” where Buck and Roy tell jokes while playing their instruments. Funny stuff, I’ll tell ya.

In a way, Hee Haw was labeled as a rip-off from Rowan & Martin’s Laugh In. Sure there are similarities, but it does stick out as a classic to me. There’s no political humor, it’s the kind of material that’s kept simple and I think that works a whole lot better.

One of my most favorite gags that I recall was about a guy who decided to get alligator shoes by wrestling an alligator. He won the fight, but was disappointed because the alligator was barefooted. Then there’s Archie Campbell in the barber shop telling fairytales like “Rendercilla” and “The Pee Little Thrigs”. Oh, that cracks me up.

The music on Hee Haw is also good. The most memorable songs are “Pfft, You Were Gone” and “Gloom, Despair, and Agony on Me”. They talk about sad things here, but it’s still silly. Don’t you just love it?

Not too long ago at a convention, I’ve discovered that there was a Hee Haw comic book. I heard that there were only seven issues made and are very rare, but I found one.

Hee Haw, which features a creative group of performers, is and always will be a long time favorite of mine. Even though I’m not hugely into country music, this show still takes me back. I must confess, other than Dolly Parton and the Dixie Chicks, the only way I even know of any country singers is when they have made appearances on Hee Haw and sometimes The Muppet Show and The Dr. Demento Show.

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 Yes, I know. This was way before my time. But believe it or not, Rowan and Martin’s Laugh In (1968-1973) was actually the inspiration for some of the variety/sketch comedy series’, such as Saturday Night Live, Hee Haw, The Muppet Show, and possibly Monty Python’s Flying Circus.

The comedy team of Dan Rowan and Dick Martin was a Las Vegas act before hosting this classic series of sketch comedy and one-liners known as The Best of Rowan & Martin’s Laugh-In and The Best of Rowan & Martin’s Laugh-In, Vol. 2. One of my favorite segments is the cocktail party. It’s a great way to use a whole bunch of different one-liners in the same scene together. Sometimes they’re all based on a similar topic, but not very often. Either way, I think it’s terrific.

I admit that the political humor featured is a bit outdated. Then again, I was never into that kind of material. I prefer simpler gags. And believe me, this show has a lot of them.

I’ve read in the booklets that come with the DVD box sets, that Lorne Michaels, the executive producer of Saturday Night Live, was one of the writers for Rowan and Martin’s Laugh In. Two years after it ended, he continued the legacy with Saturday Night Live, which still continues successfully even today.

As old as the series is, I find it very enjoyable. I admit that Saturday Night Live did have plenty of classic characters and helped the careers of many comedians. What I don’t understand is why Saturday Night Live doesn’t use one-liners, cocktail party segments, or the joke wall. Those were some of the best parts.

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